Highlights from a TORC series race in Dallas, featuring pro driver Bobby Runyan.
There’s a place just outside of Phoenix, Arizona where you can learn how to drive like a Shelby American team driver, and meet the guy who drove a Daytona Coupe across the finish line in Reims in ‘65 and crushed the titans of Ferrari. This is their story in two minutes.
In this mini-documentary produced for the Bob Bondurant Racing School, we tell the little-known story of what happened before the events depicted in Ford vs. Ferrari. When the Shelby American Team set out to conquer the titans of Ferrari for the World Manufacturer’s Cup in the GT class.
We’re not huge fans of template designs for brochures. They get boring fast. We like to design more like a magazine. With big images, big headlines, and a big attitude. We strive to make the brand sing.
After decades collecting dust in a California desert storage building, a 1953 Porsche 356 America coupe is returned to the road and reunited with the 93-year-old original owner. Winner of the 2018 Los Angeles Movie Awards Best Documentary Short, this Red Guitar Film was produced for owner David Green.
Not many agencies do both film and print in-house. We look at it this way: keeping active in print makes us better filmmakers. Film is 24 frames-per-second, print is only one (or less!). We’ve got to capture and hold attention with just that one frame, and we live for the challenge.
Clients love our shirt designs. They also love getting a Red Guitar Crew Shirt. What’s your size?
When the Bondurant Racing School launched a Dodge Challenger Hellcat program, they chose Red Guitar to produce a sizzling announcement for trade shows and other venues.
Mental and physical exhaustion. Mind-numbing speed. Marvels of engineering pushed beyond their limits. The deadly ether of darkness. Together they are the unforgiving gauntlet that crushes steel, bone and dreams, and guards the cherished trophy to one of the most revered events in motorsports — the Rolex 24 Hours of Daytona.
Hot cars & trucks make great mobile billboards. The trick is to design the graphics so they complement the lines of the vehicle. Then you get double the eyeballs.
It was 2005, and YouTube was barely on the social radar. “Love Hurts,” our first viral hit, racked up close to a million views on popular sites of the era. The Los Angeles Times embedded a reporter with our crew throughout creative and production. You can read their article here.
